Home
Title Author Dedication Reading Aid Contents Acknowledgements Assignment
The Kaurna
Kudnarto
Early Years
Marriage
Settlement
Land Grants
Shepherds
Adams
Literacy
Childhood
Engagement
Wedding
Land
Farming
Copper
Skilly Creek
Death
Land Claim
Letters
Handwriting
The Civilising
1860 Report
Tom & Tim
Bibliography
|
KudnartoAppendix 3 ~ Handwriting AnalysisSince the only evidence regarding the nature of Adams is his handwriting. The science of graphology has made great strides in getting to the heart of an individual through the photograph of the mind - handwriting. It tells us a great deal about the individual. In absence of any descriptive material, it is all that is available to construct the personality behind the story. The results only confirm what is suspected rather than reveals anything new. This analysis is divided into three sections. The first deals with the individual issues emerging from a complete dissection of the written form. Then all the diverse elements have been tabulated to give a picture of Adams. Finally, the picture is interpreted. The handwriting dissected SYMMETRY PEN PRESSURE MARGINS DIRECTION OF THE LINES SPACE BETWEEN THE LINES SPACE BETWEEN WORDS SPACE BETWEEN LETTERS SLANT SIZE CONNECTING STROKES CONCEALING STROKES LOOPS FINALS HORIZONTALS SYMMETRY The middle zone may be neglected which indicates that the writer is rather reserved, frugal and modest. He has a sense of objectivity and a philosophical outlook. Though he is masculine in his make-up, he nevertheless has an inferiority complex. And he is rather impractical. PEN PRESSURE When we speak of pressure and its absence we always assume a pressure pattern that appears harmoniously in down strokes of the writing. But certain persons cannot or will not follow the natural rhythm. Their pressure comes in strange and threatening lumps. This phenomenon has been noticed quite often in the handwriting of criminals with homicidal tendencies. There are many dark spots and heavy strokes in this type of script, but they are not arranged in any reasonable, natural order. At the least the writer will probably be found to be a hypocrite, deceitful and dishonest. He definitely will not be a man to be trusted. Indeed, he is to be avoided, especially in a business deal. MARGINS Irregular right margins show a certain lack of sense of economy and tell of unwise thrift, but there is also a love for adventure and travel, reserve alternating with loquacity, gregariousness alternating with a desire to remain alone, and ambivalent social attitudes. DIRECTION OF THE LINES Quite often we see arched or convex lines. Obviously the writer of these lines has approached his aim with ambition and a pushing spirit, but in a short time his zeal declines and he loses interest and gives up before the task is completed. His mental stamina is such that he cannot be relied upon to forge steadily towards his goal. SPACE BETWEEN THE LINES When the middle zone may reach remains fairly clear but the letters of the lower zone crowd the capitals of the next line we meet the writer who seems absolutely normal until an emergency, a crisis other unexpected occurrence reveals him as quite irresponsible. He is quite able to manage the daily routine, but in an emergency will undoubtedly lose his head. SPACE BETWEEN WORDS Words on paper follow one after the other very much as they do in speech. A person who speaks with pauses may do so because he is accustomed to pondering and considering before he acts, or because he wants to stress each word of his calculated speech and let it sink in, or perhaps he does not know what to say, or is overcome by emotion. He will space his words on paper, the spacing being wide and even. On the positive side, the writer probably has an interest in literature, is fond of music or poetry. He will be an introvert with deep feeling, firmly rooted convictions, cautious and rather critical. Introversive. SPACE BETWEEN LETTERS Going back to when we were children, we were taught to end the last letter of a word with a flowing stroke. Capable of logical and systematic thinking; co-operative; reasonable; realistic; unimaginative; lacking initiative; lack of intuitive thinking and acting. SLANT People who write with a right slant are the social, affectionate and demonstrative individuals who need the company of others and who choose the right kind of vocation in which they are in constant contact with their fellow men. Human relationships mean more to them than material gain. They are the extroverts and they are normally more bent upon activity than upon contemplation. Their emotions, more than their reasoning, guide them in the formation of important decisions, and they are sentimentalists. Increasing right slant at end of words indicates having an interest in a thing which grows the more he studies it; being able to hide his true intentions; having optimism which overpowers his original reserve; hot-headed; when excited losing self-control; quick-tempered. SIZE Tall capitals - Intelligent; ambitious; having the spirit of enterprise; far sighted; independent; religious; proud; idealistic; having the will to dominate though perhaps a dreamer. Capitals may extend themselves into the lower zone - Intellectually interested in the unconscious, as with poets, musicians, authors, artists, psychologists. CONNECTING STROKES Enclosing garlands - mentally reserved; practised in unspontaneous and calculated 'kindnesses'; scheming, narrow minded. Angles with Heavy pressure - Possessing a fighting spirit; vehement; guilty of brutal opposition; domineering. When vocationally misplaced; querulous, restless. CONCEALING STROKES In arcades: capable of shrewd restraint or sly lying and hypocrisy. LOOPS Very high, prone to creating fantasies; dreamer. Long 'y' loop with pressure: possessing a sense of the dramatic, and healthy physical appetites including sexual impulses; athletic; fond of dancing, swimming, walking. FINALS The o's and a's open at the top and s open at the base indicate generosity in the writer when his emotions become involved. They tell us that he shows a tendency to be talkative. Long final stroke: generous, liberal. HORIZONTALS 't' bar long and weak: lacking in self confidence. 'i' dot to the left: cautious, hesitant. PUTTING IT ALL TOGETHER
ANALYSIS
Adams is rather reserved and introverted. It is an ambivalent reserve alternating with a tendency to be talkative. He can be gregarious and generous but this alternates with a strong desire to remain alone. Though he is masculine in his make-up and a sentimentalist by nature, he nevertheless suffers from an inferiority complex.
Adams possesses a sense of objectivity and a philosophical outlook upon life. He has deep feelings stemming from firmly rooted convictions. However, he is very cautious. He approached goals with ambition and a pushing spirit, normally more bent upon activity than upon contemplation. Emotions, and a fighting spirit, rather than reasoning, guides him in the formation of important decisions. This manifests itself in a love for adventure and travel. Unfortunately, in a short time his zeal declines and he loses interest and gives up before the task is completed. His mental stamina is such that he cannot be relied upon to forge steadily towards his goal.
He is rather impractical. He displays a frugal and modest attitude but suffers from a certain lack of sense of economy and indulges in unwise thrift. Characteristically, he seems absolutely normal until an emergency, a crisis other unexpected occurrence reveals him as quite irresponsible. He is quite able to manage the daily routine, but in an emergency will undoubtedly lose his head. He is described as hot-headed and quick-tempered becoming querulous in response to issues that upset him. He is seen as being domineering and can be guilty of brutal opposition.
Finally, Adams displays a strong streak of dishonesty. He is practised in unspontaneous and calculated 'kindnesses'; scheming, narrow minded. He writing indicates that he is definitely will not be a man to be trusted. Indeed, people are cautioned to avoid him in matters of business.
Number of visitors since 1 February 2002:
For comments, bick bats and bouquets
|
IE5, Win95, 256 colours, 800x600 Java Enabled Material
|